Here is my table of adjustments (presets) for pure white (on the left is the desired result, and on the right is the setting required on the panel): In Soft mode, there is no way to adjust the GM. I took measurements for each desired color temperature in Hard mode. This can be corrected by setting individual presets, but it is still worth bearing in mind. It turned out that when the color temperature changes to 3600, white light gives a crimson cast. Using a camera, an Xrite gray card, and Lightroom, I measured the purity of white light at different color temperatures. After updating the firmware, I was able to control the panel using the app on my phone. I am very pleased with the workmanship, light quality, and settings. I bought this panel at a discounted price. I only wish they offered a case for separate sale. I will next purchase the Barndoor, and Softbox set. The larger MixPanels have more output, and a metal body and yoke but the 27C has reduced size, reduced weight, and you can buy three MixPad 27C's compared to one MixPanel 60. Especially since I plan to stash it in my checked baggage and fly with it. Having all of the Nanlite RGBWW science in an inexpensive, lightweight body which can reproduce every color you can imagine as well as all the built-in special effect presets, and can be powered by AC or inexpensive Sony style batteries makes this unit unbelievably versatile. Hard bounced 1 m / 39 inches to a 48" FlexFill then 1 m / 39 inches back to the subject I find un modified 1x1's to be too directional as a Key light so I bounced the light off a reflector and still got plenty of output. The Hard setting has more than enough punch to shoot through diffusion, and the Soft setting looks lovely as is.
Having had good experiences shooting with the Nanlite MixPanel 150 and MixPanel 60 I was curious to try the slightly smaller MixPad II 27C.
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